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Designs

The Red-Headed League“Watson!”
It was an ejaculation I had come to know well over the course of the last few years, but one delivered rarely with such intense potency and urgent inquiry.
I abandoned the correspondence to which I had been attending with, I admit, only a cursory interest, and hastened downstairs from my room.
“Oh really, this is too much. Too much!”
That familiar voice bore traces, I surmised, of an unexpected quality with which I had only fleeting acquaintance. Looking back I realise it could best be described as personal slight.
With studied detachment I surveyed the scene.
Sherlock Holmes lay prostrate upon a chair at least one size too small for his commanding frame. His arms hung by his sides limply and his face was turned, not toward me or one of the room’s broad windows, but to the ceiling, upon which his hooded eyes gazed with equivocation.
My unease was deepened as I took in the appalling ensemble gathered at the man’s feet.
At first glance it appeared as if a spring tide of discarded newsprint had washed up on the carpet. But on closer inspection I saw that the sheets of paper bore traces of human intervention, probably ripped and torn by the hands of the person around whose slippers they coalesced implausibly.
Without waiting for admission I waded through the detritus and opened one of the windows, in an effort to dilute the thick atmosphere of smoke and contempt already assailing my senses.
“I have failed to keep a count,” I began, “of the number of occasions I have cautioned you as to a purposeful ignorance of the benefits of fresh air.”
A snort came from the prone figure on the chair.
I flung open the window, through which a reassuring cavalcade of noise from Baker Street tumbled.
“Did I give you permission to sanction such an undignified intrusion?” Holmes snapped, his face continuing its now somewhat stubborn disavowal of my presence.
‘I’m sorry?”
“The window! My dear Watson, today has already witnessed more than an average assault by the lumpen forces of the common man upon these chambers. Must you insist on compounding this malady with the cries of a discomfited fruit-seller or a passing hurdy-gurdy?”
Holmes let out another snort and, before I could respond, extended a sinewy arm in the direction of one of the pieces of newsprint that lay upon the floor.
“I hold you responsible for this, Watson!” he cried, and lurched in his chair as if the fresh air that was now making an overdue ingress into the room had punched him in the stomach.
I picked up the paper towards which he gestured, then sat down to study its contents.
I let out a gasp, then fell quiet.

His Last Bow“Watson, your propensity for knowing silences has exceeded itself,” laughed Holmes, as he jumped to his feet and strode over to the window.
It was true that I had been rendered temporarily unable to speak, yet my mind was akin to a cacophony of confusion.
“Ha! Just as I thought!” Holmes exclaimed.
I glanced up to find him peering through the window and along the street.
“But it is of little consequence,” he added, before reeling around to face me, slamming the window shut in the process.
It was the first time he had looked at me directly since I had entered the room.
His face was creased into the expression of a man assailed by a great blasphemy, yet leavened with a trace of the absurd.
“What do you make of it, Watson?”
I forced out a sentence.
“Holmes, let me say first of all that I had no knowledge of this, none whatsoever.”
“That much I had already deduced.”
“I find that I cannot comprehend the motive.”
“Watson, you are nothing if not dependably predictable.”
He strode over to the doorway and called out, in no particular direction: “Mrs Hudson! We have visitors!”
I swung round to address him, still clutching the newspaper cutting.
“Nor do I find your countenance particularly agreeable,” I declared.
Holmes fell silent. His shoulders sagged. A sigh escaped his lips and he began fumbling in the pockets of his house coat.
“I had, it must be said, expected such an eventuality. I curse myself for not anticipating it quite so soon.”
I stared down at the piece of paper, from which my own face stared straight back.

The Solitary CyclistThe likenesses of both myself and Holmes set in motion a vague rankling. And yet I could not deny within me a rising feeling of satisfaction, even pride.
Holmes arranged himself tartly within an armchair and worked on his pipe.
“I trust you noticed that it is always I who am depicted experiencing a moment of great epiphany, while you, dear fellow, forever discharge the role of the hapless, nay irrelevant, bystander.”
“Now wait a moment,” I began, rising to Holmes’s calculated slight. “Were it not for my accounts of your activities, such illustrations would not even exist.”
“And if only it were so!” he shouted. “These trivial etchings further poison my already maligned profession, one which your literary forays have eroded with insipid regularity.”
“I refuse to accept that you believe that,” I stated, calmly.
Holmes leaped to his feet.
“Oh, the debasement!” he wailed. “That such advancements in my field should end up rendered in such ordinary a fashion.”
“Nonsense,” I replied. “These caricatures, though lacking in artistic ambition, I find to be rather appealing.”
Holmes fired me a glare infused with accommodating contempt.
There was a knock on the door.
“As expected,” Holmes boomed.
Mrs Hudson entered, then Inspector Lestrade, his face looking more pinched than usual.
They were followed by a figure whom I did not recognise, but whose deportment struck me as somehow familiar.
“Good afternoon gentlemen,” recited Lestrade, “and how flattered I am to be in such honoured presence.”
“Dry humour does not befit you,” said Holmes. “But I see you have brought company, and if I have appraised correctly, a senior employee of one of this city’s growing number of railways.”
“Why, the Metropolitan!” I exclaimed, spying the man’s familiar livery. “I’m surprised you missed that detail, Holmes.”
Holmes’s eyes darted not unkindly in my direction, then settled upon the guest.
“Sir, you need not waste time in outlining the reason for your visit. Pray, supply us with the end to which you have contrived these means. My good friend Dr Watson would be most interested to hear them, and I confess it would bring me not a little amusement.”

The Hound of the BaskervillesThe man, who Lestrade introduced as a senior figure within the management of the Metropolitan Railway, adopted a stance of contrition.
“Sirs, I must apologise. A sequence of events is under way about which you both should have been given advance notice. I had intended this to be a gesture conceived in respect. I fear, now, it has been taken as one of grotesque impertinence. I am truly sorry. I will withdraw the illustrations from circulation forthwith.”
“Your bearing does you credit,” began Holmes, “but your proposal does not. I have no objection in principle on these… entertainments being used by you and your organisation. My hesitations are purely subjective and therefore irrelevant in this matter. I’m sure my friend Dr Watson bears you no fundamental ill-will other than residual disquiet that no prior communication was given. I am not certain that this initiative will endure, in fact I am positive it will be of no interest to the people of this city beyond, say, the next 10 years. However please thank the illustrator for his efforts and keep me informed of the success or otherwise of this trivial venture.”
His soliloquy over, Holmes rose and moved once again to the window, his eyes searching for a fresh matter upon which to reflect.
Our visitor turned in my direction. “Dr Watson, my appreciation. Perhaps you would do me the courtesy of attending a dinner that is being organised in honour of your good self and Mr Holmes? It is but round the corner, at Baker Street station.”
“I would be delighted, though I cannot answer on behalf of Holmes.”
“I will also be in attendance,” Lestrade announced, to little purpose.
The visitor seemed keen suddenly to leave our premises as quickly as possible. “Very well, all the appropriate arrangements will be made and – this time – you will be properly informed. But goodness me, the day is getting on and the demands of the railway are never sated!”
Chuckling with private amusement, he left the room escorted by Mrs Hudson, followed by Lestrade, who exited exhibiting the same indifference with which he arrived.
Holmes and I were alone again.
I let out a quiet whistle.
“Well, well. That was a turn-up!”
Holmes remained silent.
“I had expected you to cast this man from our house,” I continued, “and instead I find you letting him go with barely a reprimand.”
Holmes turned to face me. He bore the look of a man suddenly weary from a legacy yet to come.
“My dear friend. You and I have but only a score of years left. I suspect, and at times fear, aspects of our endeavours will persist somewhat longer. Perhaps these illustrations may endure 100 years or more – the Metropolitan Railway also. We can no more condemn the course of the future as we can regret the follies of the past. Now come: pass me that sole intact edition of this morning’s Times, for I surmise there is a development in the case of Cadogan West and the missing submarine plans.”

Wings over exoticaWhen searching online for solid information on Harold Stabler to inject into my otherwise flabby tribute to his efforts at Aldgate East, I’d learned that he hadn’t confined his creations just to one station. More of his ceramic whimsy could be found on the Jubilee line, at both St John’s Wood and Swiss Cottage.

At the time I presumed it was merely more of the same. As charming as Stabler’s tiles are, I didn’t think it worth bothering with a trip to see an identical batch in simply a different location. I’d had my fill of vexing heraldry and monstrous apparitions – or more accurately, monstrous heraldry and vexing apparitions.

Well, not for the first time on this blog, my presumption has now given way to contrition. For there is an entirely fresh selection of tiles on the Jubilee line, just as delightful and possibly more intriguing than their cousins over in the East End.

Good lordWho, I wondered, was Thomas Lord? Being a poor sportsman, and an even poorer lateral thinker, it wasn’t until I did more online searching that I discovered his local significance. I’m sure you can make the connection faster than me. Suffice to say I was, ahem, bowled over by my own ignorance.

The five birds pictured at the top of this post remain more of a mystery – as does this further quintet:

Quintet of queensThey look like representations of a young monarch, perhaps hailing from the Plantagenet dynasty. Another local connection, perhaps? Did Henry II once strike camp at what is now the Central School of Speech and Drama?

Tile away the hoursAt both St John’s Wood and Swiss Cottage you can find a few duplicates of the tiles at Aldgate East; the Underground roundel, for instance, and the relief of the headquarters at 55 Broadway.

But these are the exceptions. Stabler treats you to a largely new and, for me, wholly unexpected spread of caricatures and motifs. The way they are laced along the platforms positively encourages you to wander up and down while waiting for your train, rather than observe the convention and remain sullenly rooted to a spot. This might not be very practical at rush hour. At all other times it’s a positive boon.

These are palaces of curiosity. Their walls turn the mundane into the magical. And their wares are as delicate as crystal.

Palace of glittering delights

This-a-wayI’ve been a bit sniffy on this blog about the Underground stations designed by Leslie Green.

They’re the ones with the dark red exteriors made up of hundreds of glazed terracotta blocks. There are dozens of them around the city, and you’re bound to encounter a few of them on even the most fleeting of visits to London. Which is precisely why I have a bit of a problem with Green. To sum up what I’ve discussed before, if you’ve seen one of them, you don’t really need to bother with any others. The differences are superficial rather than significant, prompted by expediency rather than imagination.

Sometimes, however, a variety of riches can be found inside one of Green’s otherwise character-less creations.

Holloway Road has a good collection of his signature work for the interior of an Underground station. Both platforms were given a long-overdue refurbishment in the late noughties, which certainly benefited the tiling. Green’s trademark ‘Way Out’ and ‘No Exit’ designs for the walls of the platforms look in a pretty good state, considering they were first put up in 1906:

Well, obviouslyBut for once, a Leslie Green station is more than the sum of its predictable, rudimentary parts.

As well as those familiar mock signs (based on his design for the ticket windows in the booking hall), Green sprinkles Holloway Road with a bit of glamour: more Cricklewood than Hollywood, as Ernie Wise would say, but still rather beguiling.

There are very swish ‘To The Trains’ signs in the little passageways between the adjacent platforms:

To the trains!And there’s a much larger treat in the shape of the track-side wall of both platforms, which have been left completely free of advertising.

The effect is to highlight, dramatically and memorably, more of that instantly elegant original signage:

Bare necessitiesI’m not sure how many other places on the Underground can boast such a sparse, yet also so attractive a contrast. I know the effect is much the greater thanks to the majority of stations having these walls absolutely covered with adverts. But even taken by itself this is bold and, certainly for Green, unexpected.

Perhaps I’ve been a little too hard on the old bugalugs. Not a lot, mind. Just a little.

Holler: way!