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Yearly Archives: 2012

Yay for greyWere Transport for London ever inclined to hire out its stations for games of hide-and-seek, Westminster should be your number one choice. Regardless of cost, regardless of climate, it would be a palatial plaything in which you would be able to stay concealed for hours, and through which you would hunt your comrades for even longer.

Because this is a joyous, labyrinthine union of architecture and engineering that astounds rather than confounds with its intricacy and ambition. A million wretched M&M Worlds would not come even close to matching Westminster station’s capacity to dazzle and entertain. It is one of London’s marvels, easily holding its own against the Houses of Parliament next door, and Downing Street nearby, and Trafalgar Square just down the road.

In fact, don’t bother with the rest of Westminster at all. Just come to its station, and stand, and stare – in every direction you can.

No step too farHere the late-1990s Jubilee line extension sits on top of itself, westbound beneath eastbound, inside the deepest excavation ever attempted in central London. On top of them run Circle and District line trains, along a route dating back to the 1860s, and on tracks that had to be meticulously “sunk” a milimetre at a time in order to fit snugly into the newly-expanded interchange.

The whole incredible edifice is stitched together with what look like giant knitting needles: dozens of colossal concrete columns that plunge and stab their way with panache through the station’s alluring heart:

Heart of darknessFrom certain angles the interior looks like the aftermath of a fight between some Tripods.

And woven throughout are escalators upon escalators, and stairways that hug, envelope or snake around the escalators, and walkways that curl alongside and amid the stairways and the escalators. It is a breathtaking concoction… but never confusing or overwhelming, and never, but never, menacing.

What happens when architecture dancesI love this place.

Walking through is like being miniaturised inside a Swiss timepiece, or exploring a Brobdignagian doll’s house.

It is a structure that tingles with imagination and which hums with achievement.

Westminster station is what happens when architecture dances.

Stairways to heaven

Angel, angel, down we go togetherThey’re not quite the longest in western Europe; that honour goes to a station on the Stockholm metro.

They’re not even the longest in the UK, being just a single metre shorter than the wooden ones at the Tyne cyclist and pedestrian tunnel.

They are, however, the longest on the London Underground.

And they might have ended up even longer, were it not for the need to anticipate an interchange, at some point in the increasingly distant future, with the long-proposed Chelsea-Hackney line, hence the (for now) superfluous concourse that stops you being carried all the way down to the platforms in one go.

Nonetheless the escalators at Angel are still a feat to behold and a thrill on which to ascend…

Up-diddly-upand descend…

Down-diddly-downThe strip lighting that runs all the way along each side gives the place a touch of the-future-as-imagined-in-the-mid-1970s, despite being built in the early 1990s. This kind of sensation is always a good thing.

The length of the journey tends to promote good escalator etiquette. This is another boon. People seem to settle down when they realise they’re in for a longer-than-usual ride, and as a result there’s less jostling, prodding and (most heinous of all) STANDING ON THE LEFT.

Then there’s the angle of the escalators. They are so steep that you can’t see the top when you start from the bottom, and vice versa. While this can be exciting, I’m guessing it can also be a bit vertiginous. In which case I would suggest gazing off to the side, where a colourful supply of unchallenging reading matter shuffles by like an ailing rotoscope.

Commercial reignAngel, angel, down we go together.

Westbourne, ho!This is possibly the most inelegant object I’ve featured on the blog so far. Steady those trembling nerves – it’s a giant metal tube!

Inside, however, is one of a famously elusive and vaguely bewitching brood: London’s lost rivers.

Sloane Square station was opened, rather sweetly, on Christmas Eve 1868. Inaugural passengers, perhaps in search of a last-minute festive goose or clementine, would have had good cause to wonder as to the identity of the iron vessel hung in a decidedly non-festive fashion above their heads.

But this was no unexceptional strut or inert girder. Contained within was what remained of the River Westbourne, whose contents were en route from Hampstead Heath to the Thames.

The 'Bourne identityKnowledge of this particular waterway no doubt was and still is kept to a minimum. How much of the river still runs through the pipe is possibly of an equally small magnitude. But there it goes, trickling – or maybe pouring – over the heads of travellers, a minor but rather fascinating engineering marvel.

You can get a better idea of the route of the river (if not a clearer view of the pipe) by peering through some of the railings between the buildings that surround the station:

These pictures just keep getting betterI believe you used to be able to get a much clearer view from up here, before residents tired of a) the sight of trains b) the sight of people struggling to catch sight of trains c) the sight of anything except their own valuable homes. This is sad, because there are far more objectionable things in the Sloane Square neighbourhood than a grey conduit.

Such was the ingenuity of the Victorians, however, that a channel of water passing directly through the location of a proposed station became not a dilemma but an opportunity. And such was their fortitude that the opportunity survives to this day, inviting odd glances, sporadic frowns and the occasional knowing smile towards the taming of this ‘Bourne supremacy.